Re-released by Ampersand Books, 2014
(Originally published by Mud Luscious Press, 2010)

2nd finalist for the 2011 Asian American Literary Award for Poetry
Shortlisted for the 2011 PEN/Joyce Osterweil Award for Poetry 

Taught at:
Wesleyan University
Brown University
Cornell College
Queens College, CUNY
New Mexico State University
Mount Mary College

“There is no more perfect place to be than in Molly Gaudry’s tender, dirt-floored novella, We Take Me Apart. Oh cabbage leaves, oh roses, oh orange-slice childhood grins: this book broke my heart. Its sad memory-tropes come from fairy tales and childhood books. With language, Gaudry is as loving and careful as one is with a matchbook . . . when wishing to set the whole world on fire.”  —KATE BERNHEIMER

“Molly Gaudry’s debut evokes the spirit of iconic fairy tales that have transported readers for centuries. Her variations on these themes delineate the psychological journey from girlhood to womanhood. But We Take Me Apart is more than a retelling. In it, Gaudry reconstitutes the essence of what makes fairy tales compelling, and she does so imaginatively and with great attention to language, the earmarks of poetry.”  —CHRISTOPHER KENNEDY

“If you consider her novella poetry, then it borrows much from prose. And if you see it as prose, it allows for a poetic flavor. Gaudry walks this line with great poise and in that poise we find her greatest strength as a writer.”  —THE BROAD SET WRITING COLLECTIVE

“A Molly Gaudry word is so precise, it feels like a sentence.” —GREAT TWIN CITIES POETRY READ & ROAD SHOW

"Beautiful and perfect." —EDWARD J. RATHKE

“An epic poem of epic mastery, We Take Me Apart centers on a girl who grows into a woman who grows into a heroine.”  —PRICK OF THE SPINDLE

“This incredible verse novel(la) is infused with fairy tales and Gertude Stein, not to mention Gaudry’s own dreamlike, luscious voice. An almost visceral delight." —FLAVORWIRE

"Beautiful, haunting, ethereal. Molly Gaudry molds breath into beautiful words." —NIK KORPON

“Gaudry’s mastery of language, [her] use of . . . silence, the wet white space around the burn of language, reads at times as if a character from Beckett had crawled or hobbled into a fairy tale—the kind of Beckett character that keeps his or her silence, only to suddenly wax eloquent in manic bursts.”  —AMBER SPARKS

“A cross between silence and fairy tale, Gaudry’s Beckettian narrative sews bright bits to near-faint whispers, slowly swaddling us in quiet and darkness.”  —BRIAN EVENSON

“Amid this stark environment, Gaudry’s gorgeous lyric voice guides us through." —ASIAN AMERICAN LITERATURE FANS

"Molly Gaudry must have revised this gem of a novella over and over and over to get the wording, the rhythms, the images, etc. just so. . . . Not a word is out of place, nothing is missing, no extra words are added. Molly Gaudry has worked this section, and every other section in the book, to the very essence of what is necessary to capture her readers and not let them go.”  —EMERGING WRITERS NETWORK

“[Cormac McCarthy’s Blood Meridian] is famous for its poetic prose and unflinching violence, but there’s a void of femininity. . . . Enter Molly Gaudry. . . . [Her] prose, steeped in poetry as much as McCarthy’s, spirals upward, elevating and exploding. The creators and destroyers, the beautiful and the gory, and the mythical and contemporary all thrive in balance. To read Molly Gaudry is to read Angela Carter’s cutthroat narrative spoken through the hopelessly hopeful characters of Lydia Millet, all arranged in space with the care of an impressionist painter.”  —HOBART

"We Take Me Apart is a dazzleflage of a book. The stuttering disrupted language of this cubist concoction disappears before your ears, sinks into your eyes. This aggressive dress camouflage reweaves Gertrude Stein’s rewoven grammar of worsted silk-screened gabardine into a fully ripped patois-ed pattern of stunning wonder.”  —MICHAEL MARTONE

“Molly Gaudry’s We Take Me Apart works ‘thread into lace.’ . . . Especially vivid in this book-length work is the mother’s entrance and exit, where the ragged lines swell and turn sonnet-like with love.”  —TERESE SVOBODA

"In Molly Gaudry’s We Take Me Apart, the ordinary becomes mythical, what may be autobiographical becomes a fable, and simple lines or sentences ring with ominous music. Even the empty space between the lines seems to resonate with invisible narrative. A stunning debut.”  —RICHARD GARCIA

“. . . gossamer & emotional, . . . a story of transformation over space & time, a story of love for mothers, partners, food & lace. . . . a story that slips between fable & experience . . ." —MATHIAS SVALINA

“White space, planes and planes of it. . . . We Take Me Apart is a novel’s answer to a room. . . . I read it three times . . . inhaling its perfume. . . . The scent is delicate and leaves a trace of itself. . . . The book details grace. . . it will haunt like a remembrance of fragrance or swoosh of hair or panoply of mother as tart then sweet and suddenly elusive as memories of one’s own.”  —AMERICAN BOOK REVIEW

“Gaudry’s work implies that life, at its most essential, is the memory of love, hope, and the rooms it has occupied. . . . We Take Me Apart is an exercise in empathy for the reader. It is pure song and story. This book is a gift.”  —[PANK]